Tag Archive: samurai

A Month of Kurosawa: Ran (1985)

To celebrate the upcoming release of my book, Akira Kurosawa: A Viewer’s Guide, due out Dec. 15 from Rowman & Littlefield — preorder here! — I’ll be doing capsule reviews all month covering every single Kurosawa film and posting (very) brief excerpts. These will be short impressions and recommendations, nothing more. For a full, detailed analysis of each, grab the book! Ran (1985) Ran is a masterpiece, one of the greatest films of all time, and you should do everything in your power to see it right away. That really could be the sum total of this capsule review, because it’s true, and if I start talking about what makes this film so great I’ll either start to gush or will end up writing a…
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A Month of Kurosawa: Kagemusha (1980)

To celebrate the upcoming release of my book, Akira Kurosawa: A Viewer’s Guide, due out Dec. 15 from Rowman & Littlefield — preorder here! — I’ll be doing capsule reviews all month covering every single Kurosawa film and posting (very) brief excerpts. These will be short impressions and recommendations, nothing more. For a full, detailed analysis of each, grab the book! Kagemusha (1980) The supposed return to form for Akira Kurosawa that Kagemusha represents is a bit unfair to the works that came before it, such as the greatly overlooked Dersu Uzala, but that’s a rant for another time, I suppose. Kagemusha’s story is well known almost as much for what isn’t on the screen as for what is, thanks to funding for the film…
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A Month of Kurosawa: Sanjuro (1962)

To celebrate the upcoming release of my book, Akira Kurosawa: A Viewer’s Guide, due out Dec. 15 from Rowman & Littlefield — preorder here! — I’ll be doing capsule reviews all month covering every single Kurosawa film and posting (very) brief excerpts. These will be short impressions and recommendations, nothing more. For a full, detailed analysis of each, grab the book! Sanjuro (1962) It’s interesting that a film best known for its bloody final duel (a scene that proved highly influential to directors like Quentin Tarantino) and a sequel to the often violent Yojimbo is in reality a meditation on non-violence. Yojimbo was such a huge success that Kurosawa got right to work on a sequel. Sanjuro follows the titular character on another western-like adventure,…
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A Month of Kurosawa: Yojimbo (1961)

To celebrate the upcoming release of my book, Akira Kurosawa: A Viewer’s Guide, due out Dec. 15 from Rowman & Littlefield — preorder here! — I’ll be doing capsule reviews all month covering every single Kurosawa film and posting (very) brief excerpts. These will be short impressions and recommendations, nothing more. For a full, detailed analysis of each, grab the book! Yojimbo (1961) In 1957, Miles Davis released the album Birth of the Cool (though it was actually recorded in 1949 and 1950). It was a landmark record that helped change the face of jazz to come. Akira Kurosawa’s 1961 samurai classic Yojimbo could also have been called Birth of the Cool, given that it spawned an entire genre of badasses in western flicks, led…
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A Month of Kurosawa: The Hidden Fortress (1958)

To celebrate the upcoming release of my book, Akira Kurosawa: A Viewer’s Guide, due out Dec. 15 from Rowman & Littlefield — preorder here! — I’ll be doing capsule reviews all month covering every single Kurosawa film and posting (very) brief excerpts. These will be short impressions and recommendations, nothing more. For a full, detailed analysis of each, grab the book! The Hidden Fortress (1958) The Hidden Fortress may be best known for being a major inspiration for Star Wars — George Lucas says the inspiration for R2-D2 and C-3PO came from this movie, but in fact he lifted much of the plot from it, too, along with characters like Obi-Wan Kenobi and Princess Leia — but focusing overmuch on that connection undersells just how…
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