Musings from the basement...

My new ambient record is here. It’s very mellow. Get ready to zone out and meditate

In the spring of last year, I started experimenting with getting far more minimal in my music than usual, trading layers of drones for sparse sounds. Also had some ideas I wanted to play with involving using math to structure long, ever-shifting pieces. Taking those goals and a heaping helping of Brian Eno influence, i started messing with stuff. The result is the following album. Here’s the opening track. Yes, it’s very, very mellow. If you liked that, the whole thing is available for download and streaming. See below for links. The Experiment 4 – The Ambient Orchestra (2020) Time Slipping Slow in B (AO07) (25:38) The Untitled Shift (AO08) (11:17) Movement in G (AO05) (9:03) Shifting Keys (AO03) (10:18) OUTTAKES: First Composition (AO02) (15:44)…
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NEW MUSIC by ERIC: Second Slumber, Beyond the Pale Blue Dot, an experiment in blending drones and drums

Sometimes I record drones. Sometimes I record songs. Sometimes I experiment with simple electronic compositions. So what if I blended it all together? That’s what I had in mind here. I wanted to capture the full band jam aspect of Slumbersigh and the drifting, moving, evolving drones of m2 with traditional backing instruments, enhanced with minor electronic stuff. Basically, I jammed with myself. (Dirty!) After a bunch of messing with the idea, some of which I’ll upload later this year, an unofficial journey with Carl Sagan developed. It is Beyond the Pale Blue Dot. This is the first track: The whole thing is four pieces of semi-structured drone, finishing with a piece unofficially co-created with Vangelis, along with Carl Sagan. There is a BONUS TRACK…
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There are 97 Oscar nominations and 17 wins for acting among the Marvel Cinematic Universe (MCU) cast

Avengers: Endgame is getting all the money, and the Marvel Cinematic Universe (MCU) as a whole has turned into a pop culture juggernaut so huge that if you told my 12-year-old self how big it would eventually be, I’d probably have thought you were drunk and delusional. I have no idea how Norse gods and red, white & blue heroes slinging shields ended up being bigger than Star Wars, but I sure as hell ain’t complaining. We can zero in on one way the MCU has come to dominate the box office, though: with excellent casting. It all began back in 2008, when the then fledgling studio took a chance on Robert Downey Jr., a guy who is now a global superstar but who at…
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Listen to Soundtracks for Horror Films, a film score by yours truly – Eric’s Music

I’ve been lax in giving the world the music I’ve been creating over the last year or two, especially since there has been some stuff I’m proud of that exists in silence, so here is a film score composed by yours truly: Soundtracks for Horror Films: Music Inspired by the Wash. Except there is no movie of The Wash. Therefore there can’t be a soundtrack for it. Feel free to consider this collection of music anyway. The Wash is in part what was in my head as I composed it, after all. Just skip to the video and download link below if all you want is the music! Otherwise, some explanation is required. This is soundtrack music inspired in part by a horror novel written…
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LISTEN TO THIS: Buffalo Tom, “Let Me Come Over” (1992)

A series in which I recommend music that might have flown under your radar. Buffalo Tom – Let Me Come Over Listen if you like: The Gaslight Anthem, The Lemonheads, The Hold Steady, Afghan Whigs Some songs take a while to percolate. They need to simmer in you for a while before they really get into your bones. “Taillights Fade” by Buffalo Tom is not one of those songs. The first time I heard it, it crawled under my skin and wormed its way into my head. It was one of those songs that even after hearing it only once, it would bounce around my skull forever – and not because it’s catchy or poppy, but because it was a perfect slice of chainsmoking whiskeydrinking fuckitall…
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