Tag Archive: Works By Eric

A Month of Kurosawa: Stray Dog (1949)

To celebrate the upcoming release of my book, Akira Kurosawa: A Viewer’s Guide, due out Dec. 15 from Rowman & Littlefield — preorder here! — I’ll be doing capsule reviews all month covering every single Kurosawa film and posting (very) brief excerpts. These will be short impressions and recommendations, nothing more. For a full, detailed analysis of each, grab the book! Stray Dog (1949) “Masterpiece” is probably a word that gets thrown around a little too easily, especially when discussing movies, but it’s hard not to use the word when discussing 1949’s Stray Dog, a gritty crime noir by Akira Kurosawa that peels back the curtain on postwar Japan’s underground crime scene and presents some stark moral questions in the process. Stray Dog once again…
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A Month of Kurosawa: The Quiet Duel (1949)

To celebrate the upcoming release of my book, Akira Kurosawa: A Viewer’s Guide, due out Dec. 15 from Rowman & Littlefield — preorder here! — I’ll be doing capsule reviews all month covering every single Kurosawa film and posting (very) brief excerpts. These will be short impressions and recommendations, nothing more. For a full, detailed analysis of each, grab the book! The Quiet Duel (1949) Toshiro Mifune as a doctor stricken with a sexually-transmitted disease? Sure, why not! Kurosawa’s 1949 drama about a doctor dealing with a terrible secret doesn’t get much attention. It might be easy to blame the studio (this was the director’s first work outside the Toho system) or the lack of a strong home release version (there is no Criterion edition…
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A Month of Kurosawa: Drunken Angel (1948)

To celebrate the upcoming release of my book, Akira Kurosawa: A Viewer’s Guide, due out Dec. 15 from Rowman & Littlefield — preorder here! — I’ll be doing capsule reviews all month covering every single Kurosawa film and posting (very) brief excerpts. These will be short impressions and recommendations, nothing more. For a full, detailed analysis of each, grab the book! Drunken Angel (1948) Here’s a recipe for movie magic: Put Toshiro Mifune on screen. Pair him with Takashi Shimura. And have Akira Kurosawa direct them. Still a no-name actor, this was Mifune’s first of many roles for Kurosawa, and he came out of the gate strong. The always reliable Shimura was supposed to be the lead here, but Mifune steals so many scenes it…
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A Month of Kurosawa: No Regrets For Our Youth (1946)

To celebrate the upcoming release of my book, Akira Kurosawa: A Viewer’s Guide, due out Dec. 15 from Rowman & Littlefield — preorder here! — I’ll be doing capsule reviews all month covering every single Kurosawa film and posting (very) brief excerpts. These will be short impressions and recommendations, nothing more. For a full, detailed analysis of each, grab the book! No Regrets For Our Youth (1946) No Regrets For Our Youth was a post-war drama by Akira Kurosawa that mixes equal parts political protest, love triangle, and family drama. Kurosawa’s pictures are virtually always political in some way — he had a tremendous focus on social consciousness — but they were rarely overtly political. Rather, you often had to read between the lines to…
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A Month of Kurosawa: The Men Who Tread on the Tiger’s Tail (1945)

To celebrate the upcoming release of my book, Akira Kurosawa: A Viewer’s Guide, due out Dec. 15 from Rowman & Littlefield — preorder here! — I’ll be doing capsule reviews all month covering every single Kurosawa film and posting (very) brief excerpts. These will be short impressions and recommendations, nothing more. For a full, detailed analysis of each, grab the book! The Men Who Tread on the Tiger’s Tail (1945) Released in 1945,┬áThe Men Who Tread on the Tiger’s Tail is a slightly comedic retelling of a traditional Kabuki play (which is itself based on a Noh play). It’s also an overlooked little delight. At just an hour long, it’s a short, tight-drama about a group of warriors trying to flee a dangerous situation. It…
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