Tag Archive: Works By Eric

My new ambient record is here. It’s very mellow. Get ready to zone out and meditate

In the spring of last year, I started experimenting with getting far more minimal in my music than usual, trading layers of drones for sparse sounds. Also had some ideas I wanted to play with involving using math to structure long, ever-shifting pieces. Taking those goals and a heaping helping of Brian Eno influence, i started messing with stuff. The result is the following album. Here’s the opening track. Yes, it’s very, very mellow. If you liked that, the whole thing is available for download and streaming. See below for links. The Experiment 4 – The Ambient Orchestra (2020) Time Slipping Slow in B (AO07) (25:38) The Untitled Shift (AO08) (11:17) Movement in G (AO05) (9:03) Shifting Keys (AO03) (10:18) OUTTAKES: First Composition (AO02) (15:44)…
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Listen to Soundtracks for Horror Films, a film score by yours truly – Eric’s Music

I’ve been lax in giving the world the music I’ve been creating over the last year or two, especially since there has been some stuff I’m proud of that exists in silence, so here is a film score composed by yours truly: Soundtracks for Horror Films: Music Inspired by the Wash. Except there is no movie of The Wash. Therefore there can’t be a soundtrack for it. Feel free to consider this collection of music anyway. The Wash is in part what was in my head as I composed it, after all. Just skip to the video and download link below if all you want is the music! Otherwise, some explanation is required. This is soundtrack music inspired in part by a horror novel written…
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A Month of Kurosawa: Stray Dog (1949)

To celebrate the upcoming release of my book, Akira Kurosawa: A Viewer’s Guide, due out Dec. 15 from Rowman & Littlefield — preorder here! — I’ll be doing capsule reviews all month covering every single Kurosawa film and posting (very) brief excerpts. These will be short impressions and recommendations, nothing more. For a full, detailed analysis of each, grab the book! Stray Dog (1949) “Masterpiece” is probably a word that gets thrown around a little too easily, especially when discussing movies, but it’s hard not to use the word when discussing 1949’s Stray Dog, a gritty crime noir by Akira Kurosawa that peels back the curtain on postwar Japan’s underground crime scene and presents some stark moral questions in the process. Stray Dog once again…
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A Month of Kurosawa: The Quiet Duel (1949)

To celebrate the upcoming release of my book, Akira Kurosawa: A Viewer’s Guide, due out Dec. 15 from Rowman & Littlefield — preorder here! — I’ll be doing capsule reviews all month covering every single Kurosawa film and posting (very) brief excerpts. These will be short impressions and recommendations, nothing more. For a full, detailed analysis of each, grab the book! The Quiet Duel (1949) Toshiro Mifune as a doctor stricken with a sexually-transmitted disease? Sure, why not! Kurosawa’s 1949 drama about a doctor dealing with a terrible secret doesn’t get much attention. It might be easy to blame the studio (this was the director’s first work outside the Toho system) or the lack of a strong home release version (there is no Criterion edition…
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A Month of Kurosawa: Drunken Angel (1948)

To celebrate the upcoming release of my book, Akira Kurosawa: A Viewer’s Guide, due out Dec. 15 from Rowman & Littlefield — preorder here! — I’ll be doing capsule reviews all month covering every single Kurosawa film and posting (very) brief excerpts. These will be short impressions and recommendations, nothing more. For a full, detailed analysis of each, grab the book! Drunken Angel (1948) Here’s a recipe for movie magic: Put Toshiro Mifune on screen. Pair him with Takashi Shimura. And have Akira Kurosawa direct them. Still a no-name actor, this was Mifune’s first of many roles for Kurosawa, and he came out of the gate strong. The always reliable Shimura was supposed to be the lead here, but Mifune steals so many scenes it…
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