Tag Archive: Japan

A Month of Kurosawa: I Live in Fear (1955)

To celebrate the upcoming release of my book, Akira Kurosawa: A Viewer’s Guide, due out Dec. 15 from Rowman & Littlefield — preorder here! — I’ll be doing capsule reviews all month covering every single Kurosawa film and posting (very) brief excerpts. These will be short impressions and recommendations, nothing more. For a full, detailed analysis of each, grab the book! I Live in Fear (1955) aka Record of a Living Being How do you follow one of the greatest epics of all time, Seven Samurai? You don’t. Or rather, you try something completely different. Following the gigantic undertaking that was Seven Samurai, Akira Kurosawa aimed for something a little smaller: a meditation on fear of the atomic bomb. Starring Toshiro Mifune as an old…
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A Month of Kurosawa: Seven Samurai (1954)

To celebrate the upcoming release of my book, Akira Kurosawa: A Viewer’s Guide, due out Dec. 15 from Rowman & Littlefield — preorder here! — I’ll be doing capsule reviews all month covering every single Kurosawa film and posting (very) brief excerpts. These will be short impressions and recommendations, nothing more. For a full, detailed analysis of each, grab the book! Seven Samurai (1954) I have a weakness for epics. When I see that a movie has an absurdly long run time, I find myself instantly intrigued. I’m not sure why. It’s not as if run time is a sign of quality. For every Lawrence of Arabia or Once Upon a Time in America, there are two dozen bloated “epics” that would have been far…
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A Month of Kurosawa: Ikiru (1952)

To celebrate the upcoming release of my book, Akira Kurosawa: A Viewer’s Guide, due out Dec. 15 from Rowman & Littlefield — preorder here! — I’ll be doing capsule reviews all month covering every single Kurosawa film and posting (very) brief excerpts. These will be short impressions and recommendations, nothing more. For a full, detailed analysis of each, grab the book! Ikiru (1952) If there is a film that made me want to write Akira Kurosawa: A Viewer’s Guide, it might be Ikiru. When I first saw the movie about 15 years ago, it was damn near a life-changing experience. It’s also the reason why Takashi Shimura is my favorite of Kurosawa’s regular players — yes, even above the beloved Toshiro Mifune. Ikiru, roughly translating…
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A Month of Kurosawa: Rashomon (1950)

To celebrate the upcoming release of my book, Akira Kurosawa: A Viewer’s Guide, due out Dec. 15 from Rowman & Littlefield — preorder here! — I’ll be doing capsule reviews all month covering every single Kurosawa film and posting (very) brief excerpts. These will be short impressions and recommendations, nothing more. For a full, detailed analysis of each, grab the book! Rashomon (1950) Reams upon reams have been written about Rashomon. It’s likely to be among the two or three Kurosawa films even casual film viewers have seen, or at least heard of, so for this capsule review series I won’t talk about it at length. I do in the book — it’s among the longest chapters — but when it comes to giving a…
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A Month of Kurosawa: Scandal (1950)

To celebrate the upcoming release of my book, Akira Kurosawa: A Viewer’s Guide, due out Dec. 15 from Rowman & Littlefield — preorder here! — I’ll be doing capsule reviews all month covering every single Kurosawa film and posting (very) brief excerpts. These will be short impressions and recommendations, nothing more. For a full, detailed analysis of each, grab the book! Scandal (1950) In the years immediately following the end of World War II, Akira Kurosawa found himself increasingly frustrated with the sometimes salacious turn Japan’s newly free media had taken, with too many tabloids dishing out celebrity gossip and rumors. With Scandal, he decided to confront that issue head-on. Well, until Takashi Shimura’s character began to steal the spotlight, that is. Here,¬†an artist portrayed…
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