Author. Writer. Editor. Fool.
Thirteen stories by 12 different artists. Lots of variety. Over 100 pages of comic goodness coming this summer. Here is the first sneak peek. This page was drawn by the excellent Rick Lundeen: More preview pages to come.
A week or so I started another blog meant to be nothing more than an archive of my music. (Follow it on Facebook here.) Last night I posted an album I recorded three years ago. An album with (gasp!) singing. I am a terrible singer. I really ought not try to sing. But here is the album, anyway: X-Sweet One Last Goodbye 1) The New X-Sweet (0:37) 2) Goodbye, My Friend (4:15) 3) Roll It Over (2:53) 4) Purple Rose (2:40) 5) Blue Moon (3:02) 6) Breaking (4:57) 7) Rowhouses (0:50) 8) The Bottom of Things (2:09) 9) Martha Dear (4:35) 10) Holy Roller (4:07) 11) Oh Sister (5:38) 12) One Last Goodbye (1:32) All songs (c) Eric San Juan 2006. Free to distribute, just…
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There is a lot of stuff they don’t tell you about getting a book published. You hear about the process of writing, and crafting cover letters, and how to approach agents and publishers, and on and on and on, but what about all the stuff the happens after you secure a deal? No one tells you about that. By this point I had done a pretty good job of educating myself on The Process. Thanks to loads of reading — books, articles, and blogs — I knew what to expect at almost every step of the way. But I had no idea what would come after we had gotten a contract. Well, here’s what happens: You still have a whole helluva lot of work to…
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(If you’re joining me in progress, this is the 5th part in a series devoted to outlining how my co-author and I managed to get our book, A Year of Hitchcock, published.) So here’s the part where the joy of getting a contract is smothered in the giant pile of WORK no one tells you about when you first start writing. Because make no mistake, writing is not what you think it is when you daydream about a career as an author. It’s WORK. Never forget that. As noted in my last post, it took a full year from the moment we first made contact with a publisher interested in our work to actually getting a contract. And getting that contract meant agreeing to a…
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Welcome to part 4 of a series detailing from start to finish how A Year of Hitchcock went from a neat idea to a published book (Scarecrow Press, 2009). Every step of the way, from writing to pitching to all the work we had to do after it was sold. If you’re an aspiring writer, hopefully this will help give you some insight on the process as my co-author Jim and I experienced it. The query letter was the subject of my last blog post. If you’re not familiar with what a query letter is, go read that post. I’ve even included the text of the letter that helped us grab the eye of a few publishers. So in our first batch of six queries…
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